releases

Thursday, December 27, 2007

ichigatsu_oyster_cmp007 (2007)



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Ichigatsu is the Japanese word for ‘January’, and this word represents the musical projects created by experimental musician John Biebel. Based in Boston, U.S., Ichigatsu began recording and producing songs since 2003. Previous to this project, John worked with the multi-national band Squid to create two albums. Ichigatsu’s music is based primarily in the rhythms of acoustic percussion, filled with the metallic sounds of Iranian santur, Cambodian Tro-So and other stringed instruments. John has traveled with portable recording devices to capture environmental sounds that are key to the vision of Ichigatsu. Along with a strong affinity to Eastern folk music, electronic mixing and production are equally part of the music from beginning to end.

John traces his musical origins back to early lessons with piano, slide brass trombone and clarinet. He played for years in a school jazz band, and placed music aside for a while when he studied fine art at the Cooper Union in New York City, U.S. During that time, however, when making Super 8 mm films for his film class, he began recording with his brother’s 4 track analog recorder and his sonic journey began.

It was a relocation to London, U.K. in 2001 that Ichigatsu found its beginning. John was recording sound on trips back to the U.S, and soon the blend of U.K., Greek and U.S. music was born in the form of Squid. At that time in the early 00’s in London, sparse electronica was the primary sound of experimental music, and John was influenced by this, but also sought out the sounds of live music, particularly percussion. Living with a group of musicians, filmmakers and artists in London’s Hackney neighborhood was very influential as well.

‘There is something amazing about Hackney; it’s almost like a neutral ground where music and ways of life from all over the world can be experienced side-by-side with British working-class straightforwardness’ says John. It was this introduction that led John on journeys to Oslo, Istanbul and Paris to experience more of the art and sound from different places.

After a difficult relocation to the U.S. (based on immigration problems), Ichigatsu found itself in Boston. Considered one of the most music-rich cities in the U.S., Boston is a primarily Irish-American city that retains a characteristic New England self-sufficiency that was ‘right’ at the right time for Ichigatsu to begin recording.

‘Ichigatsu began from this wish of mine to collect instruments, collect sounds, and create sound-moods,’ says John. ‘I had been recording so much sound over the years on my laptop, and they were slowly emerging into songs that weren’t easy to place in any category. The best way to describe the Ichigatsu is the love affair between east and west.’

It is the paradox of eastern and western musical traditions that reflect the way in which Ichigatsu’s songs evolve. In the most recently recorded Ichigatsu work, many of the tracks were recorded in hotel rooms in different cities in the U.S., U.K. and France. ‘I was able to visit a college friend in Paris, and found myself in a small room at the top of a house in Versailles, the same room I’d visited in about ten years ago. When I opened the tiny window one morning, I heard church bells, birds and auto engines, and I knew I was in the right place to write new music.’

Ichigatsu has worked with experimental film-maker and musician Fil Ieropoulos – a London-based Thessaloniki-born artist who is part of the Greek duo Chromata. John’s work has been used in performance art pieces in Ireland and the U.K. Ichigatsu continues to write and perform music and paint in the Allston section of Boston, affectionately known by the locals as ‘Rock City.’

Tuesday, May 22, 2007

hip_hop_Ex_Equipo_enypografa_cmp006(2007)

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Our band consists of two members: Aprosopos and Kappa Raw. We come from Corfu, Greece and started out in 2005 and have been making tracks ever since. We both write the lyrics and make the beats.
After giving out a mixtape with 6 tracks as a sample of our work, we released an 18 track LP titled “enypografa” in 2007.

The lyrics we write have socio-political content mainly. We give emphasis on both lyrics and flow. Generally we try to keep our sound authentic, close to pure, underground hip hop.

Contact us:

hiphopexequipo@gmail.com

Thursday, May 17, 2007

mostra_compressive_humans_cmp005(2007)






















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These tracks have been produced by the Mostra project. Mostra project consists of two friends from Greece who for a certain period of time (studying) had plenty of time to spend on audio software! Especially, "compressive humans" was composed for the needs of a participation at a video art festival named "Mikropolis" that took place in Athens. Please visit www.compressivehumans.com witch also hosts this "release".
Feedback would be great, enjoy!

Tuesday, March 13, 2007

elina_just_being_around_cmp004(2007)

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10.9M

.... welcome spring , elina's debut single out now

(just being around )....

Thursday, February 8, 2007

hiphop ex equipo_hiphop ex equipo_cmp003(2007)

26.3M Streamep

artist : hip hop ex equipo

ep : hip hop ex equipo

type : hiphop

myspace.com/hiphopexequipo

myspace.com/kaparohiphopexequipo

bonzo_winter groove_cmp002(2006)

68.0M Streammix












Bonso.

Born at the early eighties. The first steps in listening to
electronic music was made since i was a child. While the years passed, i was experimenting with
electronic music, and making plans for the future. The new decade found me at the univesity studying
product & systems design engineering, buying lots of vinyl, burning cds & sharing mp3s & mixing something between minimal house and techno in my house.. :) Soonly i got residencies under the name "TechAtHouse" wich finally lasted about 5 years in a plenty of bars & clubs in syros island (agora, cube, etc..,). In 2005 i joined "Minimalathens" with my buddy Zero:onE (iloveaki, Minimallondon) and partner in crime, K.atou (einmaleins, pinksilver) & did parties @ Cafeina, athens. This year (2006) i play twice a month at Wunderbar(Hit Me With Musik!), athens. I'm interested in new technologies, like Final Scratch and Cycloops, which i choose for live sampling and editing. My music style is minimal tech-house (touching the borders of techno) with transitions into forms of music.

Sometimes deep, sometimes funky, music production is my next pursuit..

www.myspace.com/sillasmusik
contact

hosteque_σπλεντιτ_001(2006)

87.4M Streammix